Sunday, April 21, 2019
Time Traveling, Art Historian Book Chapters Essay
Time Traveling, Art Historian halt Chapters - Essay ExampleAs I step into the machine, I think of the dots of time and the great plant life that provide be there when I arrive. I took the greatest care in detail, the clothing prepared, my manner of speaking skills perfectly honed to a time and place, as well as history can inform me, although I am sure things will not be fully as I expect them to be once I arrive. I sit into the contraption, its cold steel lying under its camouflage, an exterior that wait onms to be a wooden platform with a structure around it, resembling something of a small shack to be set down in out of the way alleys, calculated to exist, or within outlying avenues that jut out the nature of such a building. The shack would fool anyone who looked at it, its nature defined by its purpose. I step into the machine, the slight hum filling my ears and buzzing my senses as it begins to stir up through time. I declare set the dials under the panel so that I wil l appear where I desire, and then remain firm in the center, closing my eyes because the feeling of moving through time disturbs my sight, a detail that more or less others do not feel when they are given the privilege of using the machine. I cannot wait to see this place, the time and moment that I sop up decided to enter Rome, her majesty impressive in the present, which will most likely impress me more in its past. My eyes shut, I let the hum move over me until it even-tempereds, and I assume that I have entered the right space and time, the slight strange go as I appear affirming the very human need for noise, something to announce to the rider that he or she has arrived. The sound, very much like the clicks on a computer as one touches the only ifton, the noise created bonnie to appease the user. Chapter One The Sistine Chapel I cautiously open the door, seeing that I have arrived in the alley as I expected, stepping out of the machine, I see that it looks very inwrough tly, like a make-do shack that was erected to temporarily house someone of no means from bits and scraps. I can see that it is not, but most people who would not know that it was there, would not think anything, or at least much, roughly its presence. As I take a breath, it feels like for a moment it is knocked from me as quickly as I breath in, the scent of the city foreign, both lacking something and feeling something added, my hand automatically feeler up to cover my mouth as I try to adjust to the odor. The lack of automobiles assaults my senses as I draw in a breath, feeling it catch from its foreign taste as it hits the back of my throat. It takes a few minutes for me to be able to breath more easily, which then leads me to feel the discomfort of my clothing, weighted and cumbersome now that I am out of the impart conditioned lab and in the air of the year 1511. As I step into the streets of Rome, I realize that more than just time changes from period to period. The air, t he feel of the sun as it beats down to a still protected earth, the ozone layer still intact and providing filtration, all make a difference in the taste of life during that time period. Italy has that natural glow of amber, as if the olives have broken open and become airborne, and this is heavier and more beautiful than I have ever experienced in modern day Rome. I ache to see the countryside and experience its beauty, pure and whole before technology stripped it of its beauty, but I have a task that I must accomplish. I must see the Sistine Chapel before it was the Sistine Chapel and still the reconstructed genus Gallinago Magna, letting my eyes rest upon the newly painted
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